Big harmonium, reverb-soaked flute, circular breathing saxophone, long delays, drum machines, flanged keyboards, and plenty of synth, alongside birds, forest sounds, and war drums. At times it’s difficult to distinguish between insects and electronics, and difficult to tell whether the natural cadence of bird song has been looped to sync with synthetic rhythms or vice versa. Mixed at the Groupe of Research in Music (GRM), a department of French National Audiovisual Institute (INA).”ĭeep, densely psychedelic synth experiments. Some surprises also occurred, like this fly coming down to the mic at the end of “Planet-Air” … Thus began the studio work: to tune, record, mix the different element together to the animals and atmosphere of the jungle, answered generators, flutes, saxophones, bird-calls, synthesizers, organs. ![]() ![]() ![]() When Ariel Kalma listened to it, he could hear his melodies sung by the birds, even sometimes in the very keys he uses… Natural harmony and inspiration seems to flow from the same spring. Richard Tinti travelled to Borneo and recorded the sound of the forest.
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